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  • 51.
    Sjöberg, Patrik
    Karlstad University, Faculty of Arts and Education, Department of Culture and Gender studies.
    Film, Law, and Culture(s) of Evidence2006Conference paper (Other (popular science, discussion, etc.))
  • 52.
    Sjöberg, Patrik
    Karlstad University, Faculty of Arts and Education, Department of Culture and Gender studies.
    Fotosatir med dubbelverkan2007In: Svenska Dagbladet, Under StrecketArticle in journal (Other (popular science, discussion, etc.))
  • 53.
    Sjöberg, Patrik
    Karlstad University, Faculty of Arts and Education, Department of Culture and Gender studies.
    How Does Films Convey an Image of the World to Us?2003Conference paper (Other (popular science, discussion, etc.))
  • 54.
    Sjöberg, Patrik
    Karlstad University, Faculty of Arts and Education, Department of Culture and Gender studies.
    Jacques Cousteau Meets Berthold Brecht - Remarks on Immersion and Reflexivity2008Conference paper (Other (popular science, discussion, etc.))
  • 55.
    Sjöberg, Patrik
    Karlstad University, Faculty of Arts and Education, Department of Culture and Gender studies.
    Luften ur den pneumatiska drömmen2003In: Svenska Dagbladet, Under StrecketArticle in journal (Other (popular science, discussion, etc.))
  • 56.
    Sjöberg, Patrik
    Karlstad University, Faculty of Arts and Education, Department of Culture and Gender studies.
    On Animation in Documentaries and Animated Documentaries2006Conference paper (Other (popular science, discussion, etc.))
  • 57.
    Sjöberg, Patrik
    Karlstad University, Faculty of Arts and Education, Department of Culture and Gender studies.
    On Slow Motion2004Conference paper (Other (popular science, discussion, etc.))
  • 58.
    Sjöberg, Patrik
    Karlstad University, Faculty of Arts and Education.
    Performing Autobiographical Gestures: The Politics of Mediated Selves in Documentary Media2012Conference paper (Other academic)
  • 59.
    Sjöberg, Patrik
    Karlstad University, Faculty of Arts and Education, Department of Culture and Gender studies.
    Remarks on Audiovisuality and Immersion2007Conference paper (Other (popular science, discussion, etc.))
  • 60.
    Sjöberg, Patrik
    Karlstad University, Faculty of Arts and Education, Department of Culture and Gender studies.
    Shaking Foundations - On the Hand-held camera2005Conference paper (Other (popular science, discussion, etc.))
  • 61.
    Sjöberg, Patrik
    Karlstad University, Faculty of Arts and Education, Department of Culture and Gender studies.
    Skapat för estetiskt sönderfall2006In: Svenska Dagbladet, Under StrecketArticle in journal (Other (popular science, discussion, etc.))
  • 62.
    Sjöberg, Patrik
    Karlstad University, Faculty of Arts and Education, Department of Culture and Gender studies.
    The Documentary Money Shot - Remarks On Showing People Crying in Documentary Media2007Conference paper (Other (popular science, discussion, etc.))
  • 63.
    Sjöberg, Patrik
    Karlstad University, Faculty of Arts and Education, Department of Culture and Gender studies.
    The Man With the Movie Camera Re-considered2003In: Film InternationalArticle in journal (Other academic)
  • 64.
    Sjöberg, Patrik
    Karlstad University, Faculty of Arts and Education, Department of Culture and Gender studies. Stockholms universitet.
    The World in Pieces: A Study on Compilation Film2001Doctoral thesis, monograph (Other academic)
  • 65.
    Sjöberg, Patrik
    Karlstad University, Faculty of Arts and Education, Department of Culture and Gender studies.
    The World in Pieces: The Compilation Film and the Archive2003Conference paper (Other (popular science, discussion, etc.))
  • 66.
    Sjöberg, Patrik
    Karlstad University, Faculty of Arts and Education, Department of Culture and Gender studies.
    Understreckare: Allen Smithee - filmvärldens egen buktalardocka2001In: Svenska DagbladetArticle in journal (Other (popular science, discussion, etc.))
  • 67.
    Sjöberg, Patrik
    Karlstad University, Faculty of Arts and Education, Department of Culture and Gender studies.
    Understreckare: Tjuvlyssnandets logik2002In: Svenska DagbladetArticle in journal (Other academic)
  • 68.
    Sjöberg, Patrik
    Karlstad University, Faculty of Arts and Education, Department of Culture and Gender studies.
    Viewing the Absent - Remarks on Forensic Animation Film2008Conference paper (Other (popular science, discussion, etc.))
  • 69.
    Sjöberg, Patrik
    Karlstad University, Faculty of Arts and Education, Department of Culture and Gender studies.
    Världen genom rörliga bilder, del 12002In: ZOOM - filmpedagogisk tidskriftArticle in journal (Other academic)
  • 70.
    Sjöberg, Patrik
    Karlstad University, Faculty of Arts and Education, Department of Culture and Gender studies.
    Världen genom rörliga bilder, del 22002In: ZOOM - filmpedagogisk tidskriftArticle in journal (Other academic)
  • 71.
    Sjöberg, Patrik
    Karlstad University, Faculty of Arts and Education, Department of Culture and Gender studies.
    Världen genom rörliga bilder, del 32003In: ZOOM - filmpedagogisk tidsskriftArticle in journal (Other academic)
  • 72.
    Sjöqvist, Karin
    Karlstad University, Faculty of Arts and Education.
    Kortfilmen i filmen: En studie i Saul Bass anpassning av förtexter till det individuella verket.2007Independent thesis Basic level (degree of Bachelor), 10 points / 15 hpStudent thesis
    Abstract [en]

    In this paper, I have examined if and how Saul Bass adapts his title sequences to the respective film in the matter of genre, plot, milieu, feeling and appearance. Saul Bass was really a graphic artist who has made himself a long career in film production, foremost as a creator of title sequences. Of all the films Bass has created title sequences to, I’ve chosen six films, whose title sequences I analyse more thoroughly. I do this to point out the differences between them and thus also show how Bass adapt them to the individual work. To do this I’ve used an auteuristic perspective. The analysis I’ve made of the six films points to that Bass adapts his title sequences to the respective films. I have for instance found that certain title sequences is an integrated part of the film itself, others work as a prologue to the plot of the movie, and others present the genre, the plot or a specific theme. Most of the title sequences also introduce a fundamental feeling, that follows the viewer throughout the whole film. However, it has also come forth certain likenesses in his work, certain images and themes. Despite this, I believe that Saul Bass designs his title sequences according to the specific work and not according to his personal style.

  • 73.
    Sorensen, Lars-Martin
    et al.
    The Danish Film Institute.
    Sundholm, John
    Karlstad University, Faculty of Arts and Social Sciences (starting 2013).
    Editorial: Special Issue: Scandinavian Film and World War II2012In: Journal of Scandinavian Cinema, ISSN 2042-7891, E-ISSN 2042-7905, Vol. 2, no 3, p. 197-200Article in journal (Refereed)
  • 74.
    Sundholm, John
    Karlstad University, Faculty of Arts and Education.
    A cinema of presence and proximity: Gunvor Nelson’s collage films and the aesthetics of the signaletic material before the electronic signal2012In: Journal of Aesthetics and Culture, ISSN 2000-4214, E-ISSN 2000-4214, Vol. 4, p. 1-9Article in journal (Refereed)
    Abstract [en]

    This essay argues for the importance of an intersubjective

    and impure film theory in which the signal and the

    signaletic is considered as figures for approaching film.

    This in order to make the argument that the signaletic

    mode indeed enables a novel perspective on moving image

    history. The aesthetics of the signaletic has thus a history

    preceding that of electronic media, in particular when it

    comes to animation and experimental film. When constructing

    such an archaeology, however, dichotomies into

    sign and signal should be avoided; otherwise, the complexity

    of many of the films is reduced. In order to illuminate

    the latter point, four films by Gunvor Nelson is analyzed

    (both analog and digital), showing not only how both sign

    and signal interact but also how the aesthetics of the signal

    and the signaletic material is not dependant on the

    electronic as such.

  • 75.
    Sundholm, John
    Karlstad University, Faculty of Arts and Education, Department of Culture and Gender studies.
    Avant-Gardes and Modernisms2003In: Gunvor Nelson and the Avant-Garde, Frankfurt: Peter Lang , 2003Chapter in book (Refereed)
  • 76.
    Sundholm, John
    Karlstad University, Faculty of Arts and Education, Department of Culture and Gender studies.
    Cinema experimental i film nacional2009In: Xcéntric, Vol. 2, no 2Article in journal (Other (popular science, discussion, etc.))
  • 77.
    Sundholm, John
    Karlstad University, Faculty of Arts and Education, Department of Culture and Gender studies.
    Condensed History: The Poetics of Memory in Film2003In: Travelling Concepts III: Memory-Image-Narrative / [ed] Ed. Nancy Pedri, Amsterdam: ASCA Press , 2003Chapter in book (Refereed)
  • 78.
    Sundholm, John
    Karlstad University, Faculty of Arts and Social Sciences (starting 2013).
    Contemporary Cinematic Work from Finland: the Non-place of Cinema and Identity2006In: New Cinemas, ISSN 1474-2756, E-ISSN 2040-0578, Vol. 4, no 2, p. 83-92Article in journal (Refereed)
  • 79.
    Sundholm, John
    Karlstad University, Faculty of Arts and Education, Department of Culture and Gender studies.
    Dansk filmpolitik:: kulturindustri eller kulturpolitik?2009In: Nordisk kulturpolitisk tidskrift, ISSN 14033216, p. 218-Article, book review (Refereed)
  • 80.
    Sundholm, John
    Karlstad University, Faculty of Arts and Education, Department of Culture and Gender studies.
    Depicting and Founding Trauma2006Conference paper (Refereed)
  • 81.
    Sundholm, John
    Karlstad University, Faculty of Arts and Education, Department of Culture and Gender studies.
    Detektivens blick och filmens minne: Parland i samtiden2011In: Erhållit Europa/vilket härmed erkännes / [ed] Clas Zilliacus, Stockholm/Helsingfors: Atlantis/SLS , 2011, p. 81-95Chapter in book (Refereed)
  • 82.
    Sundholm, John
    Karlstad University, Faculty of Arts and Education, Department of Culture and Gender studies.
    DVD Reviews: [films by Eija-Liisa Ahtila, Mårten Nilsson and Mika Taanila]2010In: Film International, ISSN 1651-6826, E-ISSN 2040-3801, Vol. 8, no 3, p. 62-71Article, book review (Refereed)
  • 83.
    Sundholm, John
    Karlstad University, Faculty of Arts and Education, Department of Culture and Gender studies.
    DVD Reviews: [work by Kurt Kren, Valie Export, Dietmar Brehm and Lisl Ponger]2010In: Film International, ISSN 1651-6826, E-ISSN 2040-3801, Vol. 8, no 4, p. 65-77Article, book review (Refereed)
  • 84.
    Sundholm, John
    Karlstad University, Faculty of Arts and Education, Department of Culture and Gender studies.
    Ein wahrhaftes Bild des Lebens2010Other (Other (popular science, discussion, etc.))
  • 85. Sundholm, John
    Filmen -- Konstens flygmaskin2000In: Finsk tidskrift : kultur, ekonomi, politik, ISSN 0015-248X, Vol. 7-8Article in journal (Other (popular science, discussion, etc.))
  • 86.
    Sundholm, John
    Karlstad University, Faculty of Arts and Education.
    Finland at War on Screen since 1989: Affirmative Historiography ad Prosthetic Memory2013In: European Cultural Memory Post-89 / [ed] Conny Mithander, John Sundholm, Adrian velicu, Amsterdam: Rodopi, 2013, p. 209-239Chapter in book (Refereed)
    Abstract [en]

    This chapter deals with Finnish cultural memory post-89 through an

    analysis of Finnish war films and their reception during the years

    1989-2007. The discursive formation of Tuntematon Sotilas (The Unknown

    Soldier) is used as a point of departure for the study. It is argued

    that the discursive formation is characterised by four discourses:

    the historical discourse, the discourse of the witness, the discourse of

    victimisation and the discourse of the defensive victory, which remain

    intact despite radical turns in Finnish history and foreign policy since

    the fall of the Soviet Union in 1991. Thus, although there is a change

    into post-modern cultural memory the hegemony of previous discourses

    are not overturned due to a persistent nationalist and affirmative

    historiography.

  • 87.
    Sundholm, John
    Karlstad University, Faculty of Arts and Education, Department of Culture and Gender studies.
    Finland at War on Screen since 1989: Affirmative Historiography and Prosthetic Memory2008Conference paper (Refereed)
  • 88.
    Sundholm, John
    Karlstad University, Faculty of Arts and Education, Department of Culture and Gender studies.
    Finland at War on Screen since 1989: Affirmative Historiography, Prosthetic Memory2009Conference paper (Other (popular science, discussion, etc.))
  • 89. Sundholm, John
    From A. G. Ingelius to Börje Brast: Legislating Finland-Swedish Identity1998In: Polygraph : an international journal of culture & politics, ISSN 1533-9793, Vol. 10Article in journal (Refereed)
  • 90.
    Sundholm, John
    Karlstad University, Faculty of Arts and Education, Department of Culture and Gender studies.
    Gruvan i havet: Om att ge röst2008In: Medvandrare / [ed] red. Ekman/Tidigs/Zilliacus, Åbo: Åbo Akademis förlag , 2008, p. 59-67Chapter in book (Other academic)
  • 91.
    Sundholm, John
    Karlstad University, Faculty of Arts and Education, Department of Culture and Gender studies.
    Gunvor Nelson and the Avant-Garde2003Book (Refereed)
  • 92.
    Sundholm, John
    Karlstad University, Faculty of Arts and Education, Department of Culture and Gender studies.
    Gunvor Nelson ja amerikkalaisen avantgarde-elokuvan instituutio2010In: Lähikuva, ISSN 0782-3053, Vol. 23, no 4, p. 52-60Article in journal (Refereed)
  • 93.
    Sundholm, John
    Karlstad University, Faculty of Arts and Education, Department of Culture and Gender studies.
    Gunvor Nelson: STILL MOVING i ljud och bild2002Book (Refereed)
  • 94.
    Sundholm, John
    Karlstad University, Faculty of Arts and Education, Department of Culture and Gender studies.
    Hotel Mother Tongue or The Non-place of Identity2006Conference paper (Other (popular science, discussion, etc.))
  • 95.
    Sundholm, John
    Karlstad University, Faculty of Arts and Social Sciences (starting 2013).
    I am a Rhinoceros:: Memory and the Ethics and Aesthetics of Materiality in Film2005In: Studies in European Cinema, ISSN 1741-1548, E-ISSN 2040-0594, Vol. 2, no 1, p. 45-64Article in journal (Refereed)
  • 96.
    Sundholm, John
    Karlstad University, Faculty of Arts and Education, Department of Culture and Gender studies.
    Inside Culture: Re-Imagining the Method of Cultural Studies; Understanding Culture: Cultural Studies, Order, Ordering2004In: European Journal of Cultural Studies 7:2 (2004), ISSN 13675494Article, book review (Refereed)
  • 97.
    Sundholm, John
    Karlstad University, Faculty of Arts and Education, Department of Culture and Gender studies.
    Jestem nosorożcem: Pamięć z etyka i estetyka materialności w filmie2006In: Pami w filozofii XX wieku / [ed] Ed. Zofia Rosiska, Warszawa: Uniwersytet Warszawski , 2006, p. 209-220Chapter in book (Refereed)
  • 98.
    Sundholm, John
    Karlstad University, Faculty of Arts and Education, Department of Culture and Gender studies.
    Juha2005In: The Cinema of Scandinavia / [ed] Red. Tytti Soila, London: Wallflower Press , 2005Chapter in book (Refereed)
  • 99.
    Sundholm, John
    Karlstad University, Faculty of Arts and Education, Department of Culture and Gender studies.
    Listening to Film2003In: Review of Communication 3:1 (2003), ISSN 15358593Article, book review (Refereed)
  • 100.
    Sundholm, John
    Karlstad University, Faculty of Arts and Education, Department of Culture and Gender studies.
    Material och mimesis2007In: Evidence: Gunvor Nelson / [ed] red. Gunvor Nelson och Cecilia Widenheim, Stockholm: Moderna Museet , 2007, p. 30-37Chapter in book (Other academic)
123 51 - 100 of 137
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