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  • 1.
    Burnett, Robert
    et al.
    Karlstad University, Faculty of Economic Sciences, Communication and IT, Department of Media and Communication Studies.
    Baym, Nancy
    Amateur Experts:: International fan labour in Swedish independent music2009In: International journal of cultural studies, ISSN 1367-8779, E-ISSN 1460-356X, Vol. 12, no 5, p. 433-449Article in journal (Refereed)
  • 2.
    Fast, Karin
    et al.
    Karlstad University, Faculty of Arts and Social Sciences (starting 2013), Department of Geography, Media and Communication (from 2013).
    Örnebring, Henrik
    Karlstad University, Faculty of Arts and Social Sciences (starting 2013), Department of Geography, Media and Communication (from 2013).
    Transmedia world-building: The Shadow (1931–present) and Transformers (1984–present)2017In: International journal of cultural studies, ISSN 1367-8779, E-ISSN 1460-356X, Vol. 20, no 6, p. 636-652Article in journal (Refereed)
    Abstract [en]

    The study of transmedia storytelling has in recent years turned towards a more historicized understanding of its object of study, and also shifted to a wider perspective on narrative and narrative elements, focusing more on the transmediality of story-worlds and world-building rather than just narratives (‘plots’) in the stricter sense. This article combines these interrelated perspectival shifts in an analysis of story-worlds/world-building in two transmedia franchises: The Shadow (1931–present) and Transformers (1984–present), with a focus on the mechanics and processes of world-building in relation to transmedial change (i.e. how world elements are transformed over time as well as when story-worlds move across media platforms).

  • 3.
    Jansson, André
    Karlstad University, Faculty of Economic Sciences, Communication and IT, Department of Media and Communication Studies. Karlstad University, Faculty of Economic Sciences, Communication and IT, Centre for HumanIT.
    A Second Birth?: Cosmopolitan Media Ethnography and Bourdieu’s Reflexive Sociology2013In: International journal of cultural studies, ISSN 1367-8779, E-ISSN 1460-356X, Vol. 16, no 2, p. 135-150Article in journal (Refereed)
    Abstract [en]

    What does it take to carry out media ethnography in times and spaces of cosmopolitanization? How can ethnography reach beyond nationally or otherwise territorially bounded theories and methodologies, towards a new set of cosmopolitan approaches that manage to account for globalized logics of symbolic power? This article explores whether and how cosmopolitan media ethnography could be built around the epistemology of Bourdieu’s reflexive sociology. This would imply the methodological commitment to Bourdieu’s ideal of conversion of the scientific gaze, as well as the incorporation of his intermediary concepts of habitus and field. It is also argued that cosmopolitan media ethnography should be based on a non-media centric view revolving around the concept of texture – a concept through which it is possible to grasp the socially structured relationship between fields and spaces of flow and the various locations where symbolic power is ultimately played out. The theoretical points are brought into dialogue with recent experiences from media ethnographic fieldwork carried out among expatriate development workers in Nicaragua.

  • 4.
    Örnebring, Henrik
    Reuters Institute for the Study of Journalism, University of Oxford, England.
    Alternate Reality Games and Convergence Culture: The Case of Alias2007In: International journal of cultural studies, ISSN 1367-8779, E-ISSN 1460-356X, Vol. 10, no 4, p. 445-462Article in journal (Refereed)
    Abstract [en]

    Alternate Reality Games (ARGs) are a form of internet-based mystery game in which participants are immersed in a fictional                     world and engage in collective problem-solving. This article studies three ARGs connected to the TV series Alias (ABC, 2001—6), two of them launched by the network ABC as part of the marketing of the TV series, the third produced by fans.                     Previous research on ARGs has not sufficiently problematized the fact that many ARGs are marketing tools. While ARGs can be                     analysed as part of a wider context of convergence culture and fan culture, such an analysis must take into account the underlying                     commercial logic of popular culture production. Despite the differences found between industry-produced and fan-produced ARGs,                     they still share a framework of consumption that conforms to corporate goals of marketing and brand-building as well as fan                     audiences' goals of pleasurable interaction with fictional worlds

1 - 4 of 4
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