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Singing interaction: Embodied instruments for musical expression in opera
KTH, Sweden.
KTH, Sweden.ORCID iD: 0000-0002-2142-9493
Luleå University of Technology, Sweden.
2014 (English)In: Leonardo music journal, ISSN 0961-1215, E-ISSN 1531-4812, Vol. 24, p. 7-12, article id 2Article in journal (Refereed) Published
Abstract [en]

In the opera Sing the Body Electric! A Corporatorio, artists from the disciplines of opera, dance and the development of new musical instruments collaborated to create an onstage fusion of different technologies and artistic practices that connected performer, scenography and instrument. Gestures and movements of singers were captured by custom-built technologies. The singers also used custom-built technologies for transforming their vocal qualities and for creating synthesized accompaniment in real time. In this way the singers’ bodily musical processes further extended their vocal performances, rooted in operatic praxis, allowing for heightened expressivity and emergent scenic subjects.

Place, publisher, year, edition, pages
MIT Press, 2014. Vol. 24, p. 7-12, article id 2
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Music
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URN: urn:nbn:se:kau:diva-94846DOI: 10.1162/LMJ_a_00187ISI: 000347788700003Scopus ID: 2-s2.0-85047698000OAI: oai:DiVA.org:kau-94846DiVA, id: diva2:1759209
Available from: 2023-05-25 Created: 2023-05-25 Last updated: 2023-05-25Bibliographically approved

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Unander-Scharin, Carl

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