Civil resistance requires significant forms of emotion management by activists. In this paper, we distinguish between the different foci of emotion management carried out frontstage and backstage – the frontstage focus is typically oriented to influencing the emotions of onlookers, opponents and other targets, the backstage focus is typically concerned with managing the emotions of the activists themselves in preparation for their frontstage performances. Of course, in any particular resistance activity the two dimensions of emotion management interact more or less continuously. Activists need to continually engage in impression-management to ensure they are maintaining their display of the appropriate emotions intended to evoke the desired emotional response in the targets of their performance.