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Sensory Digital Intonation
Karlstad University, Faculty of Arts and Social Sciences (starting 2013), Department of Artistic Studies. KTH, Medieteknik och interaktionsdesign, MID.ORCID iD: 0000-0002-2142-9493
2013 (English)In: the 3rd colloquium on artictic resarch in Performing arts, Association for Computing Machinery (ACM) , 2013Conference paper (Refereed)
Abstract [en]

Sensory Digital Intonation. The impact of artistic intuition and experience when fine-tuning digital artefacts. Throughout the artistic practice of the authors and their collaborative works (eg Artificial Body Voices, Robocygne, The Lamentations of Orpheus, The Crystal Cabinet, Olimpia, The Pearlfishers and Ombra Mai Fu) the development phase that we now denominate Sensory Digital Intonation has evolved. In the proposed presentation at Carpa 3, we will elaborate on this and show examples of how this practice has been and is carried out.

Place, publisher, year, edition, pages
Association for Computing Machinery (ACM) , 2013.
Keyword [en]
Appropriation, Autobiographical design, Embodiment, Empowerment, Interactive instruments, Opera
National Category
Human Computer Interaction
Identifiers
URN: urn:nbn:se:kau:diva-46370OAI: oai:DiVA.org:kau-46370DiVA: diva2:1010178
Conference
CARPA 3, Helsinki 2013
Note

QC 20150119

Available from: 2015-01-19 Created: 2016-10-03 Last updated: 2016-10-07

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Unander-Scharin, Carl
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