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Sensory Digital Intonation
Luleå University of Technology.
KTH, Medieteknik och interaktionsdesign, MID.ORCID iD: 0000-0002-2142-9493
2013 (English)In: The impact of performance as research: Proceedings of CARPA3 - colloquium on artistic research in performing arts / [ed] Arlander, Annette, 2013Conference paper, Published paper (Refereed)
Abstract [en]

Sensory Digital Intonation. The impact of artistic intuition and experience when fine-tuning digital artefacts. Throughout the artistic practice of the authors and their collaborative works (eg Artificial Body Voices, Robocygne, The Lamentations of Orpheus, The Crystal Cabinet, Olimpia, The Pearlfishers and Ombra Mai Fu) the development phase that we now denominate Sensory Digital Intonation has evolved. In the proposed presentation at Carpa 3, we will elaborate on this and show examples of how this practice has been and is carried out.

Place, publisher, year, edition, pages
2013.
Series
Nivel, ISSN 2341-9679
Keywords [en]
Appropriation, Autobiographical design, Embodiment, Empowerment, Interactive instruments, Opera
National Category
Human Computer Interaction
Research subject
Computer Science
Identifiers
URN: urn:nbn:se:kau:diva-46370ISBN: 978-952-6670-36-2 (print)OAI: oai:DiVA.org:kau-46370DiVA, id: diva2:1010178
Conference
The third Colloquium on Artistic Research in Performing Arts (CARPA 3), University of the Arts, Helsinki, Finland, 28th February to 2nd March, 2013.
Available from: 2015-01-19 Created: 2016-10-03 Last updated: 2018-01-22Bibliographically approved

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CARPA 3

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Unander-Scharin, Carl

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CiteExportLink to record
Permanent link

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Cite
Citation style
  • apa
  • harvard1
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf