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Stretching authenticity in times of restricted mobility: Transtextuality, place anchoring, and boredom in romance reality show 90 Day Fiancé
Karlstad University, Faculty of Arts and Social Sciences (starting 2013), Department of Geography, Media and Communication (from 2013).ORCID iD: 0000-0002-3872-5096
2025 (English)In: Critical Studies in Television, ISSN 1749-6020, E-ISSN 1749-6039Article in journal (Refereed) Epub ahead of print
Abstract [en]

The article explores the impact of the COVID-19 pandemic on the production and narrative strategies of the 90 Day Fiancé franchise, focusing on its spin-off, 90 Day Fiancé: Self-Quarantined (2020). It examines how the programme adapted to mobility restrictions and lockdown policies through self-filming, remote interviewing, and focusing on mundane, pandemic-specific activities. Using theories of reality TV, documentary and authenticity, the study highlights the spin-off’s negotiation of authenticity via transtextuality, place anchoring and boredom. The article contributes to understanding how pandemic-era reality TV embraced flexibility and pragmatism, blending heightened authenticity with performative elements to maintain relatability and audience engagement.

Place, publisher, year, edition, pages
Sage Publications, 2025.
Keywords [en]
Reality TV, COVID-19, quarantine, 90 Day Fiancé, authenticity, spin-off
National Category
Media and Communication Studies
Research subject
Media and Communication Studies
Identifiers
URN: urn:nbn:se:kau:diva-102858DOI: 10.1177/17496020251316796ISI: 001409019900001Scopus ID: 2-s2.0-85216804976OAI: oai:DiVA.org:kau-102858DiVA, id: diva2:1932315
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Karlstad UniversityAvailable from: 2025-01-29 Created: 2025-01-29 Last updated: 2025-02-24Bibliographically approved

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