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Desco da Parto – ett konstnärligt bruksföremål: En jämförande studie av tre födelsebrickor
Karlstads universitet, Fakulteten för humaniora och samhällsvetenskap (from 2013), Institutionen för samhälls- och kulturvetenskap (from 2013).
2022 (svensk)Independent thesis Basic level (university diploma), 5 poäng / 7,5 hpOppgaveAlternativ tittel
Desco da Parto – ett konstnärligt bruksföremål : En jämförande studie av tre födelsebrickor (svensk)
Abstract [en]

My essay is about an artistic utility object Desco da Parto (Italian: "birth tray"). In Tuscany during the late

Middle Ages and early Renaissance, a decorated serving tray was used in some cases for the presentation of

treats and small gifts during the ceremonial congratulations of new mothers. The trays were painted with

symbolic stories with classical and biblical motifs. The artist painted on the front and back "recto/verso". The

coat of arms of both families was painted on the back of the tray "verso" and often decorated with heraldic

motifs. To exemplify and draw conclusions, three artists have been selected, Giovanni di Ser Giovanni Lo

Scheggia, Girolamo di Benvenuto and Jacopo Carucci Pontormo. These three trays are analysed using

Panofskys analysis model. The serving childtray develops from an artistic utility object to an art craft and

ornamental object and wall decoration.

sted, utgiver, år, opplag, sider
2022. , s. 33
Emneord [en]
Childbirth trays, Desco da Parto, Panofsky, Pontormo, Lo Scheggia, Black death
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Identifikatorer
URN: urn:nbn:se:kau:diva-92226OAI: oai:DiVA.org:kau-92226DiVA, id: diva2:1704856
Fag / kurs
Cultural studies
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Examiner
Tilgjengelig fra: 2022-10-20 Laget: 2022-10-19 Sist oppdatert: 2022-10-20bibliografisk kontrollert

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