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Publications (10 of 13) Show all publications
Jacobsson, A. (2018). Cultural Border Crossings and Generic Fluidity: Intercultural Perspectives on Three Latin American Films. In: Alejandra Toro Murillo, Pilar Álvarez Salamanca (Ed.), Géneros sin orillas: Cauces y deslindes en la literatura, el arte y el cine hispanoamericanos (pp. 143-166). Medellín: Fondo Editorial Universidad Eafit
Open this publication in new window or tab >>Cultural Border Crossings and Generic Fluidity: Intercultural Perspectives on Three Latin American Films
2018 (English)In: Géneros sin orillas: Cauces y deslindes en la literatura, el arte y el cine hispanoamericanos / [ed] Alejandra Toro Murillo, Pilar Álvarez Salamanca, Medellín: Fondo Editorial Universidad Eafit, 2018, p. 143-166Chapter in book (Other academic)
Place, publisher, year, edition, pages
Medellín: Fondo Editorial Universidad Eafit, 2018
National Category
Other Humanities not elsewhere specified
Research subject
Intercultural Studies
Identifiers
urn:nbn:se:kau:diva-70452 (URN)978-958-720-551-0 (ISBN)
Available from: 2018-12-11 Created: 2018-12-11 Last updated: 2019-01-31Bibliographically approved
Jacobsson, A. (2017). Intercultural film: Fiction Film as Audio-Visual Documents of Interculturality. Journal of Intercultural Studies, 38(1), 54-69
Open this publication in new window or tab >>Intercultural film: Fiction Film as Audio-Visual Documents of Interculturality
2017 (English)In: Journal of Intercultural Studies, ISSN 0725-6868, E-ISSN 1469-9540, ISSN ISSN 0725-6868, Vol. 38, no 1, p. 54-69Article in journal (Refereed) Published
National Category
Other Humanities not elsewhere specified
Research subject
Intercultural Studies
Identifiers
urn:nbn:se:kau:diva-47974 (URN)10.1080/07256868.2017.1269061 (DOI)000395095600004 ()
Available from: 2017-02-18 Created: 2017-02-18 Last updated: 2019-05-27Bibliographically approved
Jacobsson, A. (2015). From World Cinema to Intercultural Film: Fiction Film as Audio-visual Documents of Interculturality. In: : . Paper presented at Journal of Intercultural Studies Conference.
Open this publication in new window or tab >>From World Cinema to Intercultural Film: Fiction Film as Audio-visual Documents of Interculturality
2015 (English)Conference paper, Oral presentation with published abstract (Other academic)
National Category
Other Humanities not elsewhere specified
Research subject
Intercultural Studies
Identifiers
urn:nbn:se:kau:diva-41213 (URN)
Conference
Journal of Intercultural Studies Conference
Available from: 2016-04-04 Created: 2016-04-04 Last updated: 2016-09-20Bibliographically approved
Jacobsson, A. (2014). Filmvåld i rörelse: Hämnd som genreöverskridande och transkulturell drivkraft. In: Andreas Jacobsson, Magnus Ullén (red) m.fl. (Ed.), Våldsamma fantasier: Studier i fiktionsvåldets funktion och attraktion. Karlstad: Karlstads universitet
Open this publication in new window or tab >>Filmvåld i rörelse: Hämnd som genreöverskridande och transkulturell drivkraft
2014 (Swedish)In: Våldsamma fantasier: Studier i fiktionsvåldets funktion och attraktion / [ed] Andreas Jacobsson, Magnus Ullén (red) m.fl., Karlstad: Karlstads universitet, 2014Chapter in book (Other academic)
Place, publisher, year, edition, pages
Karlstad: Karlstads universitet, 2014
Series
Kulturvetenskapliga skriftserien ; 2
National Category
Studies on Film
Research subject
Intercultural Studies
Identifiers
urn:nbn:se:kau:diva-41215 (URN)978-91-7063-581-6 (ISBN)
Available from: 2016-04-04 Created: 2016-04-04 Last updated: 2016-06-27Bibliographically approved
Jacobsson, A. (2014). The Postcolonial Uncanny in European Art Cinema. In: : . Paper presented at Gothic and Uncanny Explorations.
Open this publication in new window or tab >>The Postcolonial Uncanny in European Art Cinema
2014 (English)Conference paper, Oral presentation only (Other academic)
Abstract [en]

This paper discusses the concept of uncanny in connection to a renowned French art film Caché (Hidden, Michael Haneke 2005). The aim of the study is to analyse how the film narrates an uncanny feeling of uncertainty about reality. The uncanny sensation in the film 10 emanates from a storyline that tells about an upper-middle-class family living in Paris who receives amateur surveillance footage of their everyday life doings in the mailbox. The experience of being filmed without noticing soon becomes frightening, and the husband in the family starts questioning what is real and not in his own life history. The quest for an answer to whom is filming and why focuses the story on an unresolved childhood trauma. The trauma also forms the basis for a discussion of postcolonial otherness in the midst of the former French colonial power. And it is in the unequal relationships steeped in the colonial/postcolonial history that we will find the key to the characters’ uncanny experiences.

National Category
Studies on Film
Research subject
Intercultural Studies
Identifiers
urn:nbn:se:kau:diva-41214 (URN)
Conference
Gothic and Uncanny Explorations
Available from: 2016-04-04 Created: 2016-04-04 Last updated: 2016-09-20Bibliographically approved
Ullén, M., Jacobsson, A., van Ooijen, E., Wijkmark, J. & Wijkmark, S. (2014). Våldsamma fantasier: Studier i fiktionsvåldets funktion och attraktion. Karlstad: Karlstads universitet
Open this publication in new window or tab >>Våldsamma fantasier: Studier i fiktionsvåldets funktion och attraktion
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2014 (Swedish)Book (Other academic)
Place, publisher, year, edition, pages
Karlstad: Karlstads universitet, 2014. p. 232
Series
Kulturvetenskapliga skriftserien ; 2
National Category
Humanities
Research subject
Comparative Literature; Film Studies
Identifiers
urn:nbn:se:kau:diva-33715 (URN)978-91-7063-581-6 (ISBN)
Available from: 2014-09-17 Created: 2014-09-17 Last updated: 2019-06-10Bibliographically approved
Jacobsson, A. & Malmsten, A. (2014). Whose knowledge?: Academic ”culture shock” from an intercultural perspective. In: : . Paper presented at Ierest: Teaching the intercultural in contexts of student mobility, Bologna, 12-13 juni, 2014.
Open this publication in new window or tab >>Whose knowledge?: Academic ”culture shock” from an intercultural perspective
2014 (English)Conference paper, Oral presentation with published abstract (Other academic)
National Category
Other Humanities not elsewhere specified
Research subject
Intercultural Studies
Identifiers
urn:nbn:se:kau:diva-41212 (URN)
Conference
Ierest: Teaching the intercultural in contexts of student mobility, Bologna, 12-13 juni, 2014
Available from: 2016-04-04 Created: 2016-04-04 Last updated: 2019-06-03Bibliographically approved
Jacobsson, A. (2013). Death on film from a world cinema perspective. In: : . Paper presented at Making sense of death and dying, 10th global conference, Athens, 7-9 November 2013.
Open this publication in new window or tab >>Death on film from a world cinema perspective
2013 (English)Conference paper, Oral presentation with published abstract (Other academic)
National Category
Studies on Film
Research subject
Intercultural Studies
Identifiers
urn:nbn:se:kau:diva-41211 (URN)
Conference
Making sense of death and dying, 10th global conference, Athens, 7-9 November 2013
Available from: 2016-04-04 Created: 2016-04-04 Last updated: 2016-09-20Bibliographically approved
Jacobsson, A. (2013). Kannibalism som modernitetskritik: Antropofagi i global filmmodernism. In: Daniel Brodén & Kristoffer Noheden (Ed.), I gränslandet: Nya perspektiv på film och modernism (pp. 47-65). Möklinta: Gidlunds förlag
Open this publication in new window or tab >>Kannibalism som modernitetskritik: Antropofagi i global filmmodernism
2013 (Swedish)In: I gränslandet: Nya perspektiv på film och modernism / [ed] Daniel Brodén & Kristoffer Noheden, Möklinta: Gidlunds förlag, 2013, p. 47-65Chapter in book (Other academic)
Place, publisher, year, edition, pages
Möklinta: Gidlunds förlag, 2013
National Category
Other Humanities not elsewhere specified
Research subject
Intercultural Studies
Identifiers
urn:nbn:se:kau:diva-27427 (URN)978-91-7844-862-3 (ISBN)
Available from: 2013-05-29 Created: 2013-05-29 Last updated: 2017-12-06Bibliographically approved
Jacobsson, A. (2013). Livets slutskede på film: Från terminala romanser till kretsloppsestetik. Omsorg: Nordisk tidsskrift for Palliativ Medisin, 30(4), 23-26
Open this publication in new window or tab >>Livets slutskede på film: Från terminala romanser till kretsloppsestetik
2013 (Swedish)In: Omsorg: Nordisk tidsskrift for Palliativ Medisin, ISSN 0800-7489, Vol. 30, no 4, p. 23-26Article in journal (Other academic) Published
National Category
Other Humanities not elsewhere specified
Research subject
Intercultural Studies
Identifiers
urn:nbn:se:kau:diva-30845 (URN)
Available from: 2014-01-09 Created: 2014-01-09 Last updated: 2017-12-06Bibliographically approved
Organisations
Identifiers
ORCID iD: ORCID iD iconorcid.org/0000-0003-1167-3174

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